The novel template’s sample text discusses basic formatting for novel submissions and explains how each of the program’s categories works the screenplay template does likewise via an amusing mock movie script. In addition to a blank template, the provided novel and screenplay templates come with preset extras to assist you. You can edit the specifics of each of these styles and save your own custom style sheets. Storyist automatically formats your work according to industry-standard margin and typeface rules for novel or script submissions-one of the program’s greatest strengths. Writers who prefer to plan ahead will probably appreciate them more. ![]() Storyist lets you minimize and ignore all the categories if you like, but I still found them a distracting temptation. I appreciated the flexibility these categories offered, but often felt hemmed in by an obligation to work up full descriptions of who my characters were and where they were going before I started writing. Once added, photos and videos cannot be resized-one widescreen video I added was squashed into an incorrect aspect ratio. Those last three formats can’t be added on their own instead, you must drag them onto a new blank notebook page. It also provides a notebook for jotting down text or inserting PDF files, links to Web pages, photographs, or video. In addition to the chapters and sections of your manuscript, Storyist can create files with descriptions of individual scenes or sections, plot points or threads, characters, and settings. Storyist assembles all the elements of your novel or screenplay into a handy file list on the left side of the main program window. But more freewheeling authors may find that this elaborate scaffolding distracts them from actual writing. Writers who plan carefully before putting words to page will likely enjoy its neatly organized slots for each element of a novel or screenplay. If your writing desk overflows with setting notes, character sketches, and plot points, Storyist can help you whip your stories into shape.
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